Maggie Moore(s) (15): Highly enjoyable small-town cop thriller.

A One Mann’s Movies review of “Maggie Moore(s)” (2023). I’ve found Jon Hamm’s movies to be a bit of a game of Russian Roulette. For every “Bad Times at the El Royale” or “Baby Driver” there’s been a “Confess, Fletch“ or “Wild Mountain Thyme”. “Maggie Moore(s)” proves to be a quirky and engaging film on … Read more

Haar (’18’): Strange and unsettling times for production assistant Jef.

A One Mann’s Movies review of “Haar” (2023) (from the London Film Festival). The London Film Festival shows its fair share of ‘arthouse’ films and “Haar” is definitely one of them. Embracing the graininess and imperfections of Super 8 film, you’d be mistaken for thinking this was ‘amateur-hour’. But of all the films I’ve seen … Read more

Unmoored (’15’): Dark deeds has Maria running from reality.

A One Mann’s Movies review of “Unmoored” (2023) (from the London Film Festival). “Unmoored” is a new Scandi crime drama whose premiere I was lucky enough to see at the London Film Festival. Not only that, but I was also able to grab an interview with the director Caroline Ingvarsson which you can find embedded … Read more

The Walk (‘12’?): Adeel Akhtar takes a necessary walk on the wild side.

#onemannsmovies #filmreview of The Walk starring Adeel Akhtar. A short film highlighting the importance of bus services in local communities. 4/5.

The Cost (15): “Riveting and Unforgettable” Australian Revenge Thriller.

A One Mann’s Movies review of “The Cost” (2023). This is a special “Guest Review” by the Aussie reviewer Ronnie Clements who runs the excellent “Screen Gems” site on Facebook. Please check it out and subscribe if you’ve not done already. Ronnie has told me that the film is scheduled for release in the UK … Read more