Suncoast (15): Teen-love and Teen-death deliver a heady mix in this True-Life Drama.

Doris and her friends wear their prom dresses in a bedroom.

A One Mann’s Movies Film Review of “Suncoast” (2024). “Suncoast”, new on Disney+ (Star), is about impending death and the grief associated with that. So if you are looking for a cute romantic rom-com for Valantines Day, look elsewhere. While death is inevitable for all of us, it is seldom addressed quite so head-on as … Read more

“Flickering Dreams” Episode 49: Reviews of The Iron Claw; American Fiction; Argylle; Migration; Orion and the Dark; The Greatest Night in Pop.

The regular Flickering Dreams film review podcast, featuring: In this bumper episode Bob, Scott, Andy, Emma and Dan review the following films: We also run through the UK/Ireland Top 10 at the box office and have the twelth edition of the film quiz: “Dr Bob’s Movie Montage Mystery” with Scott in a commanding lead and … Read more

The Greatest Night in Pop (12): “Groove with your knees, not with your feet!”

A One Mann’s Movies Film Review of “The Greatest Night in Pop” (2024). New on Netflix is this documentary that really does chart “The Greatest Night in Pop”. We are a fly on the wall at the recording in January 1985 of the USA for Africa charity single “We Are The World”. Bob the Movie … Read more

“Flickering Dreams” Episode 48: Reviews of All Of Us Strangers, Baghead and The Zone of Interest.

In Episode 48 of Flickering Dreams I’m joined by: In this episode Bob, Scott, Andy and Emma review the following films: We also run through the UK/Ireland Top 10 at the box office and have the next edition of the film quiz: “Dr Bob’s Movie Montage Mystery”! And in Any Other Business: we review the … Read more

Baghead (15): Nice Twist But Shame The Rest Is So Vanilla.

Iris (Freya Allan) looking terrified with a hand over her mouth in "Baghead"

A One Mann’s Movies Film Review of “Baghead” (2024). So, the sausage train of so-so horror films continues. “Baghead” is a feature-length version of a well-regarded short film from 2017 directed by Alberto Corredor (this film’s director) and written by Lorcan Reilly. And it’s… “fine”. But, unfortunately, it is far too much like the plot … Read more