Decision to Leave (15): From an Unholy Bitch to a Beachy Hole.

(If you’ve seen the film then hopefully you are laughing – – “Thank-you. Thank-you for laughing at my joke”!) A One Mann’s Movies review of “Decision to Leave” (2022). Another one to knock off my pre-BAFTA watch-list. “Decision to Leave” is up for “Film Not in the English Language” and “Best Director” at the BAFTAs. … Read more

The Son (15): “Love Is Not Enough”.

A One Mann’s Movies review of “The Son” (2023). Florian Zeller had a big critical hit last year with “The Father”. Now here we have “The Son”. Expectations are high for next year’s “The Holy Ghost” (LOL). Bob the Movie Man Rating: Plot Summary: Peter (Hugh Jackman) is a successful corporate lawyer living with his … Read more

Ant-Man and the Wasp: Quantumania (12): Tedium in a big green screen.

A One Mann’s Movies review of “Ant-Man and the Wasp: Quantumania” (2023). It says something about the current malaise of the Marvel films that, in prepping to go and see Quantumania, I really struggled to remember anything that happened in “Ant Man and the Wasp“. Even more telling was that when I considered watching it … Read more

Electric Malady (12): Unsettling and Thought-Provoking.

A One Mann’s Movies review of “Electric Malady” (2023). This one’s another documentary up for BAFTA consideration, but strangely not in the “Documentary” category. Instead, “Electric Malady” is up for the “Debut – British Writer, Director or Producer” for director Marie LidĂ©n. Which is curious, because – honestly – the film is better than many … Read more

All the Beauty and the Bloodshed (18): Expert Sackler-bashing.

A One Mann’s Movies review of “All the Beauty and the Bloodshed” (2023). Nominated for the “Documentary” category for both the BAFTA and the Oscar, “All the Beauty and the Bloodshed” focuses on Nan Goldin and is a highly professional documentary by Laura Poitras, who’s been making documentaries for over 20 years. I find it … Read more