Next Goal Wins (12): For Once, Waititi Doesn’t Go Over the Top With His Comedy.

A One Mann’s Movies review of “Next Goal Wins” (2023). I’ve had something of a love/hate relationship with Taika Waititi’s output. When he is good, he is very good. But I’ve often found – both in his acting roles and in his directorial features (“Thor: Love and Thunder” being particularly heinous) – that he has … Read more

Rebecca (PG): Classic Hitchcock, but heavy on 40’s mysogeny.

A One Mann’s Movies review of “Rebecca” (1940). The photo above for “Rebecca” comes from the special poster produced for the film by Harbour Lights cinema in Southampton (a splendid little cinema!). Harbour Lights staff, in this case Anastasia, get their personal film favourites shown again on the big screen. And what a joy it … Read more

Death on the Nile (12A): You’ll only need a AAA battery to charge the little grey cells.

A One Mann’s Movies review of “Death on the Nile” (2022). Kenneth Branagh might not have done his Best Director odds for “Belfast” much good by (finally) releasing “Death on the Nile” during the Oscar season. Because, while exotic and escapist, it’s also a bit of a clunky old potboiler. This review will be spoiler-free. … Read more

Call Me By Your Name (15): Of lazy Italian summer nights.

A One Mann’s Movies review of “Call Me By Your Name” (2017). Bob the Movie Man’s Movie Rating: Certification: UK: 15; US: R. It took me two sittings on different transatlantic flights to get through Luca Guadagnino’s much vaunted coming of age film. And I accept that this piecemeal approach might not have enhanced my opinion of … Read more

One Mann's Movies Film Review: Free Fire (2017)

A movie with more than a whiff of cordite about it. As I write this, I’m really struggling to evaluate whether the latest film of Ben Wheatley (“High Rise”) is a masterpiece or just pulp trash. It’s certainly a brave and highly distinctive venture, with that you can’t argue. Set in Boston in 1978, an arms … Read more