A One Mann’s Movies review of “Honey Don’t” (2025, 1.5*, 15). I saw someone cruelly, but perhaps not wholly inaccurately, comment on social media today that “it looks like Joel’s the brains”. For “Honey Don’t” is yet another brand-damaging offering for the Coen’s. Once again Ethan Coen is on his own in the directing chair, … Read more
A One Mann’s Movies review of “Drive Away Dolls” (2024). The Coen brothers hold a solid standing of respect with me. There films, although variable, have never been less than interesting. The trailor for this solo outing, directed by Ethan Coen and co-written by Coen and his wife Tricia Cooke, looked quirky and fun. And … Read more
In the Coen Brothers latest “Hail Caesar!” we have exactly the same Hollywood-based mix of communist writers and Hedda Hopper-style gossip columnists as recently seem in “Trumbo”: but the films could hardly be more different. “Hail Caesar!” is the film within the film: the latest Victor Mature style ‘God and Sandals’ epic for Capitol Pictures, … Read more
There are combinations of film makers that make you confident, as you pay your ticket price, that you are not going to be terribly disappointed: Steven Spielberg directing; Tom Hanks taking the lead; Janusz Kaminski behind the camera; Michael Kahn editing and a Coen brothers script (with Matt Charmon (Suite Française)). And Bridge of Spies … Read more
Oscar Isaac portrays the titular Llewyn Davis in the latest film from Ethan and Joel Coen: surely creating one of celluloid’s most memorable losers. This is a joyfully melancholic film, if that makes any sense. Set in 1961 in Greenwich village in New York, Llewyn walks through a series of Dylan album covers, beautifully rendered … Read more